My work explores the overlaps, intersections, and disjunctures between these concepts through a close ethnographic examination of representations and dialogic exchanges about religion in the Pakistani television drama industry that dominates popular culture and continues to experiment with and build its digital capacities. While Islamization anchors notions of retrenchment and conservatism digitalization envisions innovativeness, progressivism, and, for the Global South, it is especially important as a promise of access in the global economy. Together, the effects of these two forces in Pakistan are uneven and unpredictable. Drama-making is an industry deeply enmeshed in politics, the economy, and sociality. As a result of this, the circulation of dramas is deeply sensitive to how processes of digitalisation and Islamization unfurl locally as they are shaped by forces within and outside industry. The stakes of this embeddedness make it an important space for theorizing how media and religion intersect in our digital age. Issues like data surveillance, attention economies, digital labour, and algorithmic tastes are all in play.